You smiled.
It probably wasn’t at me but
i stole it home to lock it away
for better or worse.
I shook your smile till it turned from me,
tucked it up ever so gently
and placed it, cracked up and withered
in my sorry box.
You cried.
It probably wasn’t over me
but i took the credit for your tears,
consoling them with
every sweet notion i could dream up,
i only used words'd be a breeze to clean up...
...but your sorrow was
too deep for my sorry box...
so i hung it out to dry for a time...
with all my fears
and any other frightful things
that came to mind.
When done,
i pressed out the creases
(in truth, too few to mention)
and hung up my glory
with the rest of those outfits in our closet.
You roared.
Yes, it was at me.
With a poignant shout
i clapped you about
and despite the pain
we struggled on hoarsely -
i dragged you in,
postrate but raging all the way,
to my sorry box where...
...i slipped out a smile
and the rest of that darling stuff...
left them eye-balling one to the other,
grace to disgrace.
In time, they embraced
with outstretched pride,
joined hearts
and skipped on side by side
to come in search of me
and my weapons.
You looked.
It was to me.
It was simple
and sweet.
I forget who seduced who
but i wear that look on my cheek
for all to see and
my sorry box
is empty.
© Rebecca Rennie 2000
Friday, 1 July 2011
Sunday, 1 August 2010
Authenticity
you are alone for two days
so you call yourself a loner now
you are too sick to smoke this morning so
you say you’ve given up
you call a cow by her first name
take a photo of a horse and
call yourself a country boy
you stretch once against a tree
so now you’re a tree-hugger?
you breathed in very deeply two months ago
and
say you meditate regularly
say you meditate regularly
that book i gave you, lies unopened but
you do love coffee tables and
if you know the title and
you spill a drink on it
you spill a drink on it
at least it looks well read
you are many things
great and wonderful
cover to cover
cover to cover
so why pretend to be all other?
i see through the film strip
and transparent impressions
and transparent impressions
you boil some pasta so
suddenly you cook
but you still don’t know the
difference between a
difference between a
chilli and a pepper nor
what to do with a bay leaf
and the only thing you know how to bake
is time
if you are as bored by your own company
as you say you are
then you are possibly boring
if you are not interested in other stories
nor really listening to the world
nor traveling
nor caring to cook for your mum
nor picking up a new sport
nor opening your mind to horses, skiing
reading the newspaper front to back
(even the business section, just once as a
joke)...
reading biographies
buying literature in another language
planting something in a garden
rearranging your ugly furniture
donating clothes to charity (if they would
take them)
then what can i say?
i say
do some volunteer work at xmas
in a soup kitchen
in a soup kitchen
just for sheer joy of it
and don’t tell anyone
give up smoking
and see what happens
and see what happens
but don’t tell anyone
the thing about loners is
they don’t notice they are alone
please stop telling me
what a loner you have become
what a loner you have become
in the hope that I will
come over to take a look and
come over to take a look and
keep you company
please stop telling me stuff
please stop telling me stuff
© 2010
Rennie
Saturday, 15 May 2010
Thinking Big ****
All her horses are
named Athena
but for the one with the wounded leg
Sandy, she calls her, little horse Sandy.
Sandy’s made of felt, she is sad as can be
“Little horse,
take your tonic
then come play with me.”
Truffles is a cat, with one missing glove
her eyes glow at night
and she wears a top hat.
There’s a
missing spout on Teapot
so we fill her up slow
we feed the butterflies
on tissue trays and candle wax.
What’s your
favourite bus route
of 600 that you know?
“The whole world” tangents Charlie.
...the darndest things indeed...
so too
so too
the swan on the
water
does it with such grace
that you can never see her paddling like
hell
beneath the surface.
© 2010 R.
Rennie
Inspired by Graeme Robertson Guardian
article p 21 Mag. Sat 15 May
Thursday, 15 April 2010
That Star
he’s a tad rocknroll
and cheeky as hell
not full bent on leather
but ringing a bell
he fills it up singing
to the top and it’s slow
poetry in motion
he’s a kite you let go
shall i wish upon him?
like some morning star
or is he just a comet?
wonder mister what the hell you are
© April 2010
Rennie
Thursday, 1 October 2009
Clochard ***(favourite)
i am king of this town, dont you know
poetry tracks me down
no matter where i go
i get hunted by words and
shot down by lines
i just open my mouth and let fly
i met rembrandt
some time past and
the new year saw me swinging from
chandeliers in Venetian glass
now that was many years ago
true to say, my heyday’s passed
Pablo still
writes me all the time
and Vincent is
a friend of mine
it’s a cushy life but i’m always on the
move
i sleep around, in any groove
you know the rumours are all true
that once upon a carousel
i knew M. Lisa very well
i blew my fancy flute that way
my chariot has one dud wheel
it still gets all my stuff around
you’d be surprised how it still rolls
with all the things i’ve found piled up in
it
© 2009 Rebecca Rennie
Saturday, 1 November 2008
Mermaid on the Continent
The rose-water
orchid bearer
...If only the sea
Is doing all he can
To fill your world
with oceans enough
To make up the
distance between you
But there you lie
Naked and
soft on the hard, dry ground
With your ear cupped,
You listen hard but
You listen hard but
Songs dry up on the
continent
Yet she still remains your
heroine,
Stuck there and utterly
put upon as she is
With her history of
border wars
And socialized concrete walls
And socialized concrete walls
Her soul stale,
Her poetry panic-stricken
Her poetry panic-stricken
It’s no wonder
She loses all reason
It is only
the sea
You yearn
You must forgive her that
You must forgive her that
Still, if only she had a sea, then
You’d raise a naval fleet
Especially for her
You’d have the muse at
Both your feet in no time flat
Both your feet in no time flat
And in her name
You cry out to no-where in particular...
You cry out to no-where in particular...
...If only the sea
© Rennie 2008
Sunday, 12 October 2008
Strange Texts
strange message
are u executing me? in text?
the gossip mongers on the
corner
they too have so much
to talk about.
phones phones.
just becase u’re the
birthday girl darlin’
that don’t mean u
got the right to
spit on my night
… my song
punishin' me
just a wee bit?
for my own good perhaps?
go right ahead
im not fallin’ for the
tricks
you play.
im too hard
im too bold
and u don’t get me
any more.
i think u’re missing the
point
in any case
where do i stand?
i hear you asking
how do i stand it?
that’s the question
when you are constantly
pressing me me over
and out
© Rebecca Rennie 2008
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